The Art and Making of the Dark Knight Trilogy Hardcover
 | | @ | Tuesday, August 14th, 2012 at ii:00 pm |
The Fine art and Making of The Dark Knight Trilogy
Written by Jody Duncan Jesser
Hardcover
Abrams Books | 304 Pages
Release Date: July 20, 2012
In 2005, director Christopher Nolan reinvigorated Warner Bros.' unmeant Batman flick franchise with Batman Begins, starring Christian Bale as Gotham's caped crusader.
A dark, realistic reboot of DC's brooding avenger, Batman Begins explored the comic book hero's origins and his evolution from billionaire playboy Bruce Wayne to watchful protector, combating criminal offense and corruption in Gotham City.
A 2008 sequel, The Dark Knight, took the intriguing, character-driven premise and raised the stakes, pitting Batman in an all-out state of war against the Joker (Heath Ledger), a sinister agent of chaos who killed Bruce Wayne's greatest love and transformed Commune Attorney Harvey Dent (Aaron Eckhart) into the vengeful Two-Face.
2012'southward The Dark Knight Rises provided a definitive conclusion to the Dark Knight legend as masked terrorist Bane (Tom Hardy) held Gotham City earnest under the fear of nuclear annihilation, forcing the Dark Knight to resurface and relieve a city that branded him an enemy.
Designed by world-renowned graphic designer Chip Kidd, The Art and Making of The Dark Knight Trilogy tells the complete backside-the-scenes story of these influential films. Based on in-depth interviews with Nolan and all of the films' primal bandage and crew "" including co-writers David S. Goyer and Jonathan Nolan, cinematographer Wally Pfister, and more — this hardcover coffee table book reveals the creative process backside the epic Dark Knight Trilogy, accented by beautiful artwork and never-earlier-seen set photography.
Writers Janine Pourroy and Jody Duncan Jesser are no strangers to the inner-workings of blockbuster cinema. Equally a writer for Cinefex mag, Pourroy has covered special and visual furnishings in moving picture since 1985, while Jesser has served as editor of Cinefex since 1992. She is the author of 10 books covering the making of films, including Terminator 2: Judgment Day, Jurassic Park, and Avatar.
Every attribute of Nolan's filmmaking process is detailed in Jesser and Pourroy's fantastic, gorgeous book, accompanied by hundreds of high-quality photographs and illustrations. Hither'south a breakdown of what you lot can expect in this epic tome of awesomeness:
Chapter 1. Screenplay – The first chapter details how the initial concepts were conceived by Nolan and Goyer and discusses the writing process for all 3 scripts. The filmmakers talk at length well-nigh their inspirations and specific comic book stories they pulled from in crafting their story.
Affiliate 2. Product Blueprint – A complete look at the pattern of the films, including creating Wayne Estate and Gotham's slum-of-all-slums, the Narrows. At that place'south lots of fantastic information (and conceptual art) that covers the scouting and dressing of locations as well as Batman'south vehicles and gadgets.
Chapter three. Cast – The filmmakers discuss casting the iconic characters of Batman, Alfred, Gordon, and the Dark Knight's villains. While a majority of this chapter is dedicated to talking most Christian Bale as Bruce Wayne, practically every bandage fellow member from the trilogy is featured and discusses the process they took in bringing their characters to life.
Affiliate 4. Costumes & Makeup – A fantastic wait at the costumes of the trilogy, consummate with tons of wardrobe sketches. You'll encounter how the Joker's makeup was created, besides as the painstaking process of creating Bane'southward mask and how Harvey Dent's horrifying Two-Face was brought to life. This chapter as well chronicles the design of Batman'due south iconic costume and the modifications that were made for each motion-picture show.
Chapter 5. The Shoot: Batman Begins – The production of the first film, from the 129-twenty-four hour period shoot, to Nolan's directorial fashion is covered, too as the logistics of filming on locating and shooting the flick's ballsy Tumbler chase, where Batman's tank-like Batmobile scrambles and rockets over Gotham's rooftops.
Chapter 6. The Shoot: The Nighttime Knight – The filmmakers talk virtually filming in Chicago and the natural progression of Gotham City equally a less romantic, more mod location. In that location's also lots of information about the Gotham General Infirmary demolition and how IMAX cameras informed the cinematography of the film.
Chapter vii. The Shoot: The Dark Knight Rises – This chapter highlights filming in the stadium sequences in Pittsburgh and the prison house scenes in India, as well as the moving picture'south opening plane sequence (which was shot practically). For nigh, this chapter will prove to exist the most intriguing, being as nearly of the other making-of data from the previous two films has been documented on dwelling video releases. This is no doubt a sneak preview of what we might get on the upcoming Blu-Ray release.
Chapter 8. Special Furnishings & Stunts – There'southward lots of information about the insane amount of stunt work with effects coordinator Chris Corbould. Y'all'll also go an extensive look at the fight choreography of the Batman and Bane'southward battles, as well as the massive war between Gotham's finest and Bane'south minions.
Chapter 9. Editing, Music, and Sound – Lee Smith talks extensively on editing the Dark Knight Trilogy, detailing the process of how to cut finer betwixt parallel storylines and action sequences. The films' music is covered, including quotes from composers Hans Zimmer and James Newton Howard. Sound Designers discuss the trilogy's sounds and mixing them finer with the music. You'll probably be most interested to read almost Bane'southward voice, as they accost initial concerns with being able to understand the masked, muffled villain.
Affiliate 10. Visual Furnishings – Every method of visual effect was used in creating Nolan'south Batman films From models and miniatures to estimator-generated cityscapes and flying machines, this chapter illustrates the painstaking work that went into bringing Gotham City and its characters to life. You'll come across how the digital bats were created in Batman Begins, too as the monorail crash, and the stadium explosion from The Nighttime Knight Rises.
Chapter eleven. Marketing – Full coverage of each moving-picture show's promotional materials, including tons of poster designs to the unique "viral marketing" that emphasized social media to get the audience to participate in the film's release.
The Fine art and Making Of The Dark Knight Trilogy also includes a foreword past Christopher Nolan (his goodbye alphabetic character to the franchise) and an introduction by Michael Caine. Printed at the stop of the book is a tribute that Nolan wrote about the late Heath Ledger, titled "Charisma as Natural as Gravity," which was originally published in Newsweek shortly later on the role player's death in 2008.
I've got to say, I ain several huge coffee table books near movies and pop culture – and several books on the making-of such films – and The Fine art and Making of The Night Knight Trilogy is by far one of the most in-depth, extensive books of its kind. If you're a fan of Christopher Nolan, Batman, or filmmaking in general, you should ain this volume.
You lot can currently selection up The Art and Making of The Dark Knight Trilogy on Amazon for the insanely low cost of $26.twoscore, and while this 304-page hardcover has a suggest retail price of $40.00, I could easily see it selling for $lx-$75 because of the crazy amount of Bat-tastic geeky goodness within. BUY. THIS. Volume.
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